Pamela nilan, 'applying semiotic analysis to social data in media studies', jurnal komunikasi massa vol 1, no 1, juli 2007, 60-74 · benjamin noys, ' crimes of the near future: baudrillard / ballard', international journal of baudrillard studies, volume 5, number 1 (january, 2008) · william pawlett and. At the same time, i'm dismayed by the contrary trend toward complete fabrication in big-budget movies - not only the increasing dependence on cgi, but the excessive use of close-ups, fast-cutting, and generic set design to flatten even realistic scenes or movies (so that everything is surface) what i think. Alexandra lynn barron, 'postcolonial unions: the queer national romance in film and literature', phd thesis, university of texas at austin, may 2005 ' seeing white: female whiteness and the purity of children in australian, british and chinese visual culture', social semiotics, 10:2, 2000, 157-171. Charles bane, 'viewing novels, reading films: stanley kubrick and the art of adaptation as interpretation, phd e-thesis, louisiana state university 2006 · shyon baumann, intellectualization and art world development: film in the united states', american sociological review 66:3 (june 2001) pp 404-.
By annette kuhn (a great reflection on screen theorizing on the occasion of screen's 50th anniversary) and by barbara klinger in which she revisits film theories of affect as well as the debates around jane campion's 1993 film the piano this blogpost won't mean too much to those readers who can take. Byron hawk, david rieder, and ollie oviedo university of minnesota press, february 2008 · dave boothroyd, 'cinematic heroin and narcotic modernity', symbolism: journal of critical aesthetics volvii , 2007 · nadia bozak, 'four cameras are better than one: division as excess in mike figgis' timecode',.
[black narcissus]'s trauma-tale is inseparable from the doomed project [of imperialism]: it is predicated on the vertiginous nature of culture shock the lofty palace-convent perched on the edge of a mountain precipice  seems a visual metonym sister clodagh may want to heal and enlighten “a primitive. [kirsten strayer, ruins and riots: transnational currents in mexican cinema, phd thesis, university of pittsburgh 2009, p 49] miriam hansen differentiates between the use of the terms “audience” and “spectator” not just as a theoretical or methodological distinction operative within viewer-oriented.
A few of the below pdf files have been linked to before by fsff but the vast majority have not come up in earlier searches and there are some fabulous items here: such as yvonne tasker's paradigm shifting thesis on gender and action cinema, and donato totaro on time and the long take in the cinema.